"Fight of the Year" touches on how the other globe has actually embraced b-boy society, but how they're no much longer viewed as chopping edge or cool in the United States.
That worries the Sean Combs-like impresario, Dante (Laz Alonso): "How lengthy before hip-hop isn't really cool down?".
He needs to shield his popular music, fashion and dancing empire by putting American b-boys back ahead. He employs an old dancing colleague, W.B. (for "Wonder Bread"), now a grieving, sprituous ex-basketball coach (Josh Holloway of "Lost"). W.B. needs to get himself up to quicken on the existing state of dancing, then recruit and coach a "all-star team" of the very best of America's best to take on the other globe, which gettings passed America by and long controlled the annual b-boy Olympics referred to as "BOTY," the Battle of the Year.
That team contains diverse arrogant, chip-on-their-shoulder showoffs, because that's exactly what it requires to succeed. Real star professional dancers such as Do Knock and Flipz are blended with others, consisting of singer Chris Brown.
And helping coach is Jewish hip-hop authority "Franklyn with a y," played by Josh Peck.
Benson Lee, director of the conclusive documentary on the around the world phenomenon, "Planet B-Boy," co-wrote and routed this, and immodestly has personalities view that movie and perform its applauds. Holloway could not also hint at a genuine dancing past, so the flick fabricates that by having his coach operate his people with drills (in split-screen sequences).
Peck, when of T.V's "Drake & Josh," one-time star of "The Wackness," has a small, sustaining duty but is offered leading invoicing. In this case, that implies his every setting consists of coiffed and excessively made-up close-ups. It's laughable.
Yet tabloid beloved Brown greater than holds his very own with this staff, evidently not even requiring a dancing double. The dance scenarios-- specifically those entailing groups from Germany, France and Korea-- take the b-boy steps to the upcoming level.
And there are a lot of simple, undemanding laughs, the very best lines originating from Peck's assistant coach.
"You appear like a gazelle available," he applauds his supervisor. "A gazelle with arthritis." Which, while it doesn't describe the flick, does hit this genre right in the bull's eye. After that, the charm of "Step Up" and all its worn out imitators is that the viewers they're capturing for has no concept that there have been 20 or 30 films exactly like this one that came before it.
He has to secure his dancing, fashion trend and music empire by putting American b-boys back on best. He employs an old dance colleague, W.B. (for "Wonder Bread"), now a grieving, sprituous ex-basketball coach (Josh Holloway of "Lost"). W.B. has to get himself up to speed up on the present state of dancing, then recruit and coach a "dream group" of the ideal of America's ideal to take on the rest of the globe, which has passed America by and long dominated the annual b-boy Olympics known as "BOTY," the Battle of the Year.
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